Appreciation of the works of famous online painting and calligraphy masters (16)

waterside family

1988

84cm×52.5cm

postscript

waterside family

In 1988, Wuchen, autumn and September,

Li Keran, a white-haired schoolboy

Hindi

Li, Keran, Li Xia not crowned,

Picturesque rivers and mountains, Tianhai Tower, and the language is not amazing

Appreciation of works

The composition is not common.

Li Keran said: "The most difficult thing to solve in landscape painting is the level." He used the method of accumulating ink to "seek the level in the ink, expressing the natural atmosphere of mountains and rivers".

There are two keys to solving the problem of the level of the picture: one is to master the middle tone, and the other is to solve the black and white relationship of the picture. The black and white relationship of the picture is the relationship between the dark part and the bright part, the relationship between the virtual and the real.

The opening and closing of the entire picture in this work includes the handling of the relationship between virtual and real, and black and white. The successful handling of the relationship between black and white is an important feature of Li's Shanshui. Many of his students can use it well, but some of them have too strong rhythm and lack the charm of roundabout. In contrast, the work of the dyer's work is more subtle and flexible in the treatment of black and white relations. In the depth, people feel that there is a dense atmosphere circulating around, which induces the audience with a poetic atmosphere. into the realm of painting. A careful analysis of the picture shows that the middle tone plays a very good role in connecting, echoing and regulating the relationship between the black and white, the virtual and the real in the picture. (Wan Qingdai published in "The World of Li Keran" published in 2000)